Ephraim Rubenstein : works

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Starting in the early 1990’s, I began working on a series of paintings and drawings based on the poetry of Rainer Maria Rilke. The paintings and drawings are not illustrations, per se, but rather visual responses to the mood, imagery and rhythms of the poems.

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Sonnet to Orpheus Study for ‘Sonnet to Orpheus’ What Fields are Fragrant as Your Hands? Be Ahead of All Parting Be Ahead of All Parting II Banks of the James Banks of the James, Gray Day James River, Winter I James River, Winter II James River, Winter III James River, Autumn The Loveliest of Fields The Sap is Mounting Back I The Sap is Mounting Back II Study for ‘The Sap is Mounting Back’ Study for ‘The Sap is Mounting Back’ Presentiment ( Storm I ) Study for ‘Autumn Day’ Study for ‘Autumn Day’ Study for ‘Autumn Day’ Pink Hydrangea Summer The Windows I Les Roses I Les Roses II Study of Rose Yellow Rose I: Study for ‘Les Roses’ Yellow Rose II: Study for ‘Les Roses’ Yellow Rose III: Study for ‘Les Roses’ Yellow Rose IV: Study for ‘Les Roses’ Sarah IV: Study for ‘The Core of the Rose’ Sarah V: Study for ‘The Core of the Rose’ Sarah VI: Study for ‘The Core of the Rose’ Sarah VII: Study for ‘The Core of the Rose’ Sarah VIII: Study for ‘The Core of the Rose’ Palm I Palm II

The first time I met Ephraim Rubenstein, some eight years ago, and looked at his early paintings I immediately sensed a powerful poetic quality coming out of his paintbrush. This ambitious exhibition not only confirms my initial feeling, but surpasses anything I could have thought of at that time. [ continued... ]

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